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Instead of having to be a member of the Royal Society to do science the way you had to be in England in the 17th 18th centuries today pretty much anybody who wants to do it can and the information that they need to do it is there.

I also take pleasure in the so-called negative power in Grotjahn's work. That is I love his paintings for what they are not. Unlike much art of the past decade Grotjahn isn't simply working from a prescribed checklist of academically acceptable curator-approved 'isms' and twists.