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I used to love to draw. I didn't want to go to art class because I felt that would be too corny when I was young but architectural drafting was the cool thing to do because there was more precision. It taught me a lot about building and structures and doorways and frames and windowsills.
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The writing is really hard. You're alone. It really pulls it out of you. You pull it out of your head. But when you're a director you're shopping - you're picking this actor you're picking this scene. It's like the most intense kinetic high-speed shopping of all time. You sit in a chair and it will all come rushing at you like a wind tunnel.
On the stage you alone hold the key and on the night you have to trust that the director has inspired you enough to take the material and run with it.
In my cranky old age I actually prefer recording alone now on 'The Simpsons ' for example because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times when I record with a group I'll stay after class for another hour or two.